When the TARDIS arrives on the plains of Asia Minor not far from the besieged city of Troy, the Doctor is hailed by Achilles as the mighty god Zeus and taken to the Greek camp. He meets Agamemnon and Odysseus. Forced to admit he is a mere mortal — albeit a traveller in space and time — he is given two days to devise a scheme to capture Troy. Steven and Vicki, meanwhile, have been taken prisoner by the Trojans. Vicki, believed to possess supernatural powers, is given two days to banish the Greeks to prove she is not a spy.

Far in the distant future, Earth has become uninhabitable, forcing Mankind to colonise first Mars and then Pluto. No longer the coldest planet in the solar system, Pluto is now warmed by artificial suns. The Doctor, Leela and K9 arrive to discover the exploitation of the Megropolis people by the ruling elite, lead by the Collector. Deep in the Undercity, a small group of revolutionaries plot to overthrow the company and the Doctor is forced to fight the oppression of the people using Fire against Fire...

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Myth Makers was a semi-professional series of documentaries about the principal creatives of the 1963 version of Doctor Who. It was produced for the direct-to-video market by Reeltime Pictures — with most releases being interviews of a single cast or crew member conducted by Nick Briggs. The vast majority of the original interviews were conducted between the mid-1980s and the early 2000s. A few more volumes surfaced until the late 2000s, but most of the releases in the 2000s were actually remastered — and often re-edited — versions of the the interviews that had originally been recorded in the 1980s or 1990s.The series was notable for being the first video series about the production of Doctor Who. Its longevity proved there was an appetite for such information, and it is probably fair to say that it helped pave the way for Doctor Who Confidential, as well as the audio interviews that became commonplace on most Big Finish audio CDs.

The Doctor contemplates a journey to see an old acquaintance and digs a well. Released in cinemas alongside the 3D double-bill of Dark Water and Death in Heaven.

The Doctor, Jamie and Zoe return to Earth and become embroiled in the schemes of Tobias Vaughn. They meet up with an old friend, Colonel (now Brigadier) Lethbridge-Stewart, and some old enemies, the Cybermen.

The TARDIS returns Tegan to Heathrow Airport: Tall trees, peaceful, clear skies, thriving vegetation and a touch of sulfur in the air. Obviously the TARDIS is a little out of date (about three hundred years or so), but upon looking around the Doctor finds there's more amiss than his navigational controls, all arising after a recent comet crash that was not on Earth's schedule.

The TARDIS crew take up residence near Rome in 64AD, where Ian and Barbara are kidnapped by slave traders, and the Doctor's imitation of Maximus Pettulian sees him taken to the court of Emperor Nero where he inadvertently plays a part in deciding the course of history...

In 17th century England, the Doctor and itinerant thespian Richard Mace uncover a plot by a crew of criminal Terileptils to wipe out humanity.

The TARDIS materialises inside an Aztec tomb. Outside it, the Doctor and his companions soon discover that Mexico in the 15th century is a bloodthirsty and dangerous place... And with Barbara mistaken for a reincarnation of an ancient high priest called Yetaxa, the history teacher thinks that she can put an end to the barbaric human sacrifices once and for all. But can she rewrite history without disastrous consequences?